Monday, September 5, 2011


Rupee vs. dollar makes record low at 87.39

THE local currency market operated for only two days this week as trading remained suspended for four days on account of Eid celebrations from August 31 to September 3. Some hectic dollar buying was witnessed in the two days operation ahead of Eid holidays.
Deteriorating law and order situation, uncertain economic outlook and increased import payment had already sent the rupee to historic lows against the dollar towards last week close.
The downward pressure on the rupee is likely to persist in the weeks ahead, according to leading currency analysts, because of mounting dollar demand to meet import and debt payments.
Some support, however, is expected from higher remittances inflows from overseas Pakistanis which is expected to resist the rupee from all round fall against the dollar.
Meanwhile, the rupee in the inter-bank market continued its downtrend versus dollar in the week shortened by four days due to persistent demand pressure.
In the opening trading session during the week, the rupee extended its weekend weakness against the dollar, further shedding five paisa on the buying counter and also losing seven paisa on the selling counter.
As a result, the dollar was seen enjoying commanding position at Rs87.18 and Rs87.22 in the first trading session. It had ended last week at Rs87.13 and Rs87.15.
Rising demand for dollars further pushed the rupee down in the second trading session. The rupee hit historic lows at Rs87.28 and Rs87.33 after posting 10 paisa loss versus dollar before the market closed for early weekend.

Comparison of Dollars Vs Pakistani Rupee Since 1995.

from 1955 to up til now, several dictators and politicians came around to govern Pakistan. you can see how the prices of Dollar increase/decreases in their periods.


1955
Govn. Gen. Ghulam Muhammad
Rs. 4.70
1958-69
Self Appointed Field Marshal Gen. Ayub Khan
Rs. 4.70
1969
Gen. Ayub Handed over power to Gen. Yahya Khan
Rs. 4.70
1971
WAR INDIA V/S PAKSITAN
1971-72
Zulfiqar Ali Bhutto(Shaheed) to Save Pakistan
Rs.11.00
1973-74
Z. A. Bhutto
Rs. 09.90
1977-82
Gen. Zia ul Haq
Rs. 10.84
1984
Gen. Zia ul Haq
Rs. 15.36
1986
Gen. Zia ul Haq
Rs.17.25
1988
Gen. Zia ul Haq
Rs.18.65
1989-90
Benazir  Bhutto
Rs.21.90
1991
Nawaz Sharif
Rs.24.72
1993
Benazir Bhutto
Rs.30.88
1996
Benazir Bhutto
Rs.34.21
1997
Nawaz Sharif
Rs.40.07
1999
Gen. Musharaf
Rs.50.10
2000
Gen. Musharaf
Rs.58.00
2001
Gen. Musharaf
Rs.63.00
2002
Gen. Musharaf
Rs.63.00
2003
Gen. Musharaf
Rs.60.68
2007
Gen. Musharaf
Rs.61.00
2008
Gen. Musharaf
Rs.63.00
2008
Gen.Mush.+PPP+PML(N)+ANP+MQM+ETC Govt
Rs.67.00
2008
PPP+PML(N)+ANP+MQM+ETC.Govt
Rs.84.00
2008
PPP+ANP+MQM+ETC..Gov
Rs.80.00
2009
PPP+ANP+MQM+ETC..Govt
Rs.81.00
2010
PPP+ANP+MQM+ETC..Gov
Rs.86.0

Sunday, September 4, 2011



Airing dirty lingerie, Pakistani style

The inspiration for the play was born out of Aizzah’s desire to portray Pakistani- Muslims differently from what was normally the case.


TorontoCanada, instinctively caught my eye. With a title like ‘Dirty Pakistani Lingerie’, how could it not?
Wonderful I thought. The lone item representing Pakistan had to be something that came with an ‘adults only’ warning from the organisers.
Armed with skepticism I landed up in the packed auditorium, expecting something crude and vulgar about the cross-cultural experiences of Pakistani-American women, as the blurb described. Instead, what I saw was by far the most creative, genuine and entertaining one-woman performance on stage. And the content was wholly PG, although the six separate stories portrayed, made many wince more than once.
The brains behind this gem is Aizzah Fatima, a Pakistani-American theatre artist from New York City, who has made it her personal agenda to change the way people think about Pakistan and Muslims in the West. Directed by her collaborator-in-arms Erica Gould, who happens to be Jewish, DPL sees Aizzah playing six different Pakistani-American women simultaneously, all struggling with issues of identity and acceptance in a post 9/11 world.
Ameera is visiting the US from Pakistan looking for the ideal Pakistani-American husband; Selma is a hijab-clad soon-to-be-wed Muslim feminist, torn between her fantasy of being a young wife and her dream of attending Harvard; Asma is the very “desi aunty” desperately trying to find a suitable boy for her “32-34” year old single daughter from the Urdu Matrimonials section; Raheela is the modern young business woman, searching for that like-minded partner who isn’t just looking for a one-night-stand; and Humeira is the middle-aged mother of two who finally has the courage to walk out of her loveless arranged marriage after more than 20 years.
These are the characters Aizzah portrays during the 60-minute performance, moving effortlessly between the prose of Ghalib, a cocky American accent, and a desi dialect that sent audiences rolling with laughter. But the one thread that runs through each of these stories, is that Pakistani women are still vulnerable, manipulated and under-appreciated, wherever in the world they might live. Its an unfortunate reality that Dirty Pakistani Lingerie, a play of words on airing one’s dirty laundry in public, captures brilliantly.
Born in Saudi Arabia and having lived out of Pakistan all her life, Aizzah, whose family originally hails from Punjab in Pakistan, has made it her goal to move beyond what typically represents a Pakistani-Muslim in these near apocalyptic times. An IT professional at Google by day, Aizzah’s love for theatre and acting was born from a very young age and prompted her to eventually attend the American Academy of Dramatic Arts (AADA), to hone in her natural talent.
The inspiration for the play was born out of Aizzah’s desire to portray Pakistani- Muslims differently from what was normally the case. “When I started writing this play, it occurred to me that there was a lot I wanted to say about being Muslim-American. I woke up one day shocked to realize that parts of the country I call home had developed virulent Islamophobic sentiment”, she explains.
“I was tired of seeing images of terrorists, beheadings, and bombs going off every time I heard the word Pakistan in the news. I wanted to show everyone a different side to Pakistani culture”.
The choice to portray Pakistani-American women, in particular, women who are constantly struggling, was an unusual one. Aizzah defends her decision to focus on more repressive stories. “As an artist, it’s my duty to tell these stories about the female Pakistani-American experience since no one else is doing it in theater, film, or TV”.
As testament to the lack of visibility of Muslim-American talent, the play debuted in New York City at The Midtown International Theatre Festival in July. It was the first time in the 12-year history of the festival that a female Muslim writer or a Pakistani had performed a show there.
As stereotypical as Aizzah’s characters may at times seem, the truth is, that these stories still ring extremely true, not just for Pakistani’s or South Asian’s, but women in general. “I had a Japanese couple once tell me how similar the issues in the play are to their culture”, she recounts. “My favorite one is an African-American woman from the Bronx who told me the character of Asma reminded her so much of her own African-American mom”.
And that is the heart of DPL. The play has sparked a tremendous response in New York and Toronto, including among Pakistani’s and South Asians alike. “I think people sometimes don’t know what to make of the title”, she says. “Humor can be lost on the Pakistani community at times. [But] Once people come in and see the show, they absolutely love it”.
The title has had its share of negative publicity though. The play was originally called ‘Dirty Paki Lingerie’, but organisers in Canada were fraught to revert to the more diplomatic “Pakistani”. “In the US “Paki” is not a derogatory word at all. It’s just slang for a Pakistani. [But] I know in other parts of the world such as Canada and Europe, the word “Paki” can be as offensive as the “N” word”, explains Aizzah.
Strangely enough, several people in the US had an issue with the word ‘lingerie’ in the title, and not so much ‘dirty Paki,’.
“Conservative Muslim women in my social circles have suggested I change the title to ‘Dirty Paki Laundry’ to make it more politically correct, she says”. But Aizzah has stuck to her guns and the title remains.
In her quest to try and bridge communities in the US post 9/11, Aizzah is now preparing for a performance of her play on the 10th anniversary of 9/11, running September 9-11 in NYC, with each performance followed by an inter-faith dialogue. The issue is close to her heart. “I have lived in New York for 11 years now, and consider myself a New Yorker. I was here, and saw the plane hit the second tower,” she recalls. “I would love to reach as many people as I can with this play across the globe. At the end of the day, we are all people who want to protect our families, live in a nice place, and go to good schools. This is what the characters in the play want, and this is what anyone can relate to Muslim or not”.
The bold step taken by Aizzah to shatter common stereotypes of Muslim women in today’s hostile environment is laudable. With perfect comic timing, a crisp and fast-paced script and a brilliant one-act performance, DPL, is a creative step in the right direction. One hopes it is able to achieve the goal it has set out, one performance at a time.
I for one, also hope that Aizzah is able to bring her performance to Pakistan one day. If there is anyone who needs a good dose of reality, it’s us.

Airing dirty lingerie, Pakistani style

By Themrise Khan | DAWN.COM




Revival of the Eurasian Corridor


The modern day Eurasian Corridor is said to be the area covering Central Asia and the former CIS states ultimately connecting Eastern Europe and South Asia. With the British being a major exception, conquerors of the Indian Sub-Continent, from the Aryans and Alexander the Great to Mahmood Ghaznavi and the Mughals, had used this route to make their journey.
Post the independence of the British-Raj, and new world dynamics, where most land-locked Central Asian States came under the ambit of the USSR till 1945 and became independent just after its fall in the early 90’s, the focus had largely been pointed Westwards in terms of diplomatic relations and trade due to which this region had been seen only through the myopic view of possibly exploiting its resources.

However, as the world moves towards the potential of developing nations, the region has come under the spotlight once again. Just over the past year, China and Russia have been revitalising trade and economic links in the region and trying to draft regional economic and trade cooperation agreements which would incorporate preferential tariff’s, facilitate cross-border trade and trade transit along with easing visa requirements for the movement of traders and for access to warm water ports.

Pakistan and India have also signed MOU’s for the TAPI pipeline, which lays the foundation of a gas-supply pipeline from Tajikistan to Afghanistan, Pakistan, and India. Russia has also been actively pursuing participation, where a joint summit comprising Russian President Dmitry Medvedev, Pakistani President Asif Ali Zardari and their Tajik and Afghan counterparts was held this week in Dushanbe where Russia proposed participation in the TAPI pipeline and possible participation of its gas-export monopoly Gazprom, as well as investing in infrastructure for the sale of power and electricity to the region, where demand is not met due to lack of generating capacity.

China also tried to connect its Xinjiang province to the region and revive the historic Silk Route, which connects Pakistan, Afghanistan and China to other regions in Central Asia. The Xinjiang Trade Expo was also held in Urumqi this week, which was attended by Pakistani and Tajik heads of states in active participation in an effort to take economic integration a step further. Pakistan, for its part, plays a vital role in providing the South-Asian connection where by these non-coastal nations are provided access to Karachi and Gwadar ports through trade-transit agreements, much like the Pak-Afghan Trade Transit Agreement which is currently in place. Pakistan can gain from this not just economic advantages, but possible transfer of skill and technology along with much better diplomatic relations, which it is already working towards.

It is to be noted that while India is involved in the TAPI gas pipeline venture, its connection to the intended economic zone would be through the Silk Route, through Pakistan and China, where reluctance to open borders is apparent due to previous friction.

If set into action, such an agreement will not just provide an economic boost to member nations, but will also better place them to take advantages of possible opportunities such as local currency trade, along with greater social integration that had once existed creating greater acceptability amongst local people. Such cooperation often also creates much greater diplomatic muscle to influence events and issues which affect them.

While all of the above can prove to be great for the growth of these developing states, to accomplish these numerous challenges they would have to be addressed along with averting possible threats that may come out of such cooperation. Terrorism; human and drugs trafficking; lack of appropriate security apparatus; trans-national hostilities; and insufficient infrastructure are all possible issues that could plague any economic integration efforts.

The region has an ugly history with the reference of terrorism. Currently, apparent with the ongoing war in Afghanistan and its spill-over effects to Pakistan, the region is agonised with militant forces which attack state infrastructure and impediment economic stability with their activities. Major uncertainty prevails around the United States and Nato troop withdrawal slated for 2014, as it is expected that Afghan security forces may not be able to face the challenge that lies ahead.
Pakistan is facing its own insurgencies and militant activities under its western border which may hamper any such economic immersion. Uzbekistan, Tajikistan and other central Asian states are also pulled into the equation where most foreign fighters in Afghanistan are found to be from this region.

This region is also one of the most active drug transit areas of the world. Drugs, such as heroin and hashish, are smuggled into Europe through this region and the social stickiness of such illicit substances remains in the region. Human trafficking is also a grave concern, where men, women, and children are forced into bonded labour and prostitution, and where the poverty of Central Asian States and Russia makes such activity thrive.

There are also trans-national issues which exist within the corridor itself. Tajikistan has disputes with Uzbekistan in its mined border and talks of delimiting continue, and its Isfara Valley disputes delay delimiting with Kyrgyzstan. Pakistan has its own border issues with Afghanistan along the Durand line, where constant realignment takes place between the military establishments of both sides and fencing of a certain portion of the border is taking place to prevent creation of bases which harbour terrorists.

All having said, it is vital that these issues not undermine the economic collaboration but, in-fact, force these nations to create solutions to solidify their own growth and fiscal future. All these issues are noted separately and focused upon, but in light of the willingness shown by regional neighbours, the possibility of the future may be the stimulus itself to properly address these issues as it is crucial to their own survival in the global environment.

Bringing Home the Desert -by Suleman Akhtar


Arabization of Pakistan: Bringing the desert home

There was a land of Cavaliers and Cotton Fields called the Old South. Here in this pretty world, Gallantry took its last bow. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and of Slave. Look for it only in books, for it is no more than a dream remembered, a Civilization gone with the wind. -An introductory foreword to the film ‘Gone with the wind’ (1939)
Civilizations can never be made up, this is all hitherto history has to tell us, but yes they can be ruined to irretrievable notwithstanding. Societies are never absolute in their very essence. This is the natural organic flow of events that weaves the edifice of a society over the time period by encompassing the divergent customs, languages, dogmas and traits. The final synthesis, what we call a society, is the one to impart the distinguishing identity to its adherents. Firmer the foundations of society more preeminent will be the identity yielding out of it. Societies are prone to decadence only when they cease to embrace the extrinsic flavors or when become the subject of deliberate acculturation. Later is the case with ‘the land of pure’ which, as for some, is yet to be more pure.
Pure is the word and Arabization is the synonym. Pure of what? Pure of specter of the pre-partition Indian identity that was congenital inheritance of Indian Muslims bestowed on by the indigenous society that had evolved over hundreds of years by the commingling of various cultures and civilizations. Plagued by quandary, the Pakistani state, after the partition, was quick to embrace the Pan-Islamic identity embellished with salient features of Arabian Peninsula whilst cunningly blending it with religion in order to render it more acceptable for the local populace. The identity engineers considered it the last resort to homogenize the diverse local cultures and vernacular languages by binding them in a construct emanated from religion based identity. That was ‘Fall of Dhaka’ that led to expedition of the Arabization process. Eminent historian Dr. Mubarak Ali explains the predicament in the words:
Since its inception Pakistan has faced the monumental task of formulating its national identity separate from India. Partitioned from the ancient civilization of India, Pakistan has struggled to construct its own culture; a culture not just different and unique from India, but one appreciable by the rest of the world. ..The tragedy of 1971 [when Bangladesh separated] brought a shock to the people and also a heavy blow to the ideology of Pakistan… More or less convinced of their Islamic heritage and identity, Pakistan’s government and intelligentsia consciously attempted to Islamize the country.”
History itself has been the cardinal victim since antiquity in the hands of plunderers who deem it their foremost target for their ulterior motives. That’s what happened here. History, taught in public schools, starts from the arrival of Muslim Arabs and ends at carving a Muslim state out of Hindu India. Everything else has been rendered smokescreen. The past, prior to Muhammad Bin Qasim, is direct threat to the engineered Arab identity as it was obviously Hindu-Buddhist –so omitted out of purpose. The puritans, Aurangzeb Alamgir and Ahmad Sirhindi, get all the praise since they are more in line with the unyielding version of Arab Islam whilst heretic Akbar is accused of inaugurating a new religion purposefully disdaining the fact that people were far better off in Akbar’s era. There’s not even a single mentioning of inter-faith harmony Dara Shikow had been preaching given that there’s no space whatsoever for trans-religious approach in a society aimed for adherents of single creed. Plunderer Mehmud Ghaznavi has been denominated as ‘Idol-Breaker’ merely to glorify the unified Islamic triumphalism over the misbeliever India. This systematic maligning of young minds is not confined to only government educational institutes but by an act of parliament, passed in 1976, all private schools are also required to follow this curriculum. Rubina Saigol, an expert on education says: Our state system is the biggest madrasa. We keep blaming madrasas for everything and, of course, they are doing a lot of things I would disagree with. But the state ideologies of hate and a violent, negative nationalism are getting out there where madrasas cannot hope to reach.”
Over the last three decades Pakistan has seen some drastic changes in societal demeanor and etiquettes ranging from language to customs. Dissemination of construct based on the Arab identity is bearing fruit. ‘Abaya’ that was an unknown word in Urdu language has now become the benchmark of the fictitious morality that is the ultimate result of deliberate assimilation of arid Arab culture. Even the moderate ones are obliged to wear Abaya to meet the newly contrived moral standards of society. ‘Chaadar aur Char Dewaari’ (veiled behind high brick walls) policy of dictator Zia-ul-Haq is turning out to be the worst kind of oppression of women, along with the laws like Hudood ordinance enacted during his regime.
Even the language has not been spared amidst this whole drivel of purification. Article 31/2 (a) of constitution of Pakistan states: “The State shall endeavor, as respects the Muslims of Pakistan to make the teaching of the Holy Quran and Islamiat compulsory, to encourage and facilitate the learning of Arabic language..”. What’s that, a pathetic attempt to make Arabic lingua franca for Pakistan where less than 1% population can understand Arabic? What about the divergent local languages or even the so-called national language? Most common but glaring example that may be put forward to underline the predicament is gradual replacement of the Indo-Persian ‘Khuda-Hafiz’ with Arabic ‘Allah-Hafiz’ implying that Arabic Allah is the only proper word for God.  Khuda is an Indo-Persian term to say “God”. It is built on the same building blocks that other Indo-European languages use. English say God, Germans say Gott or Gutt, Persians say Khuda. The G is a variation of Kh and the utt or od is a variation of “uda”. They’re very similar. On the other hand, Arabic is Afro-Asiatic language. By taking a look to other Semitic languages such as Hebrew, they are very near to Arabic flavor. As for instance Jews say Elohim that sounds very familiar while reciting the word ‘Allah’. Where do the attributes of God come into the matter from? Some of the 99 names of God have their origins in classical Hebrew instead of Arabic. So in the view of this logic should those be abandoned too? Renowned scholar Dr. Pervez Hoodbhoy sheds the light on issue:
Persian, the language of Mughal India, had once been taught as a second or third language in many Pakistani schools. But, because of its association with Shiite Iran, it too was dropped and replaced with Arabic. The morphing of the traditional “Khuda hafiz” (Persian for “God be with you”) into “Allah hafiz” (Arabic for “God be with you”) took two decades to complete. The Arab import sounded odd and contrived, but ultimately the Arabic God won and the Persian God lost.”
The most considerate aspect of this whole panorama is the puritanical version of Islam i.e. Salafism / Wahabism that is predominately a phenomenon traces its roots to Arabian Peninsula and has been instrumented by the identity surgeons to homogenize the cultures that have not even an infinitesimal thing in common –consequences are horrible. This unyielding interpretation of Islam puts great emphasis on rituals and codes of conducts than on substance quite contrary to the Indian version of Islam that is marked with local customs evolved over the centuries through intermingling of diverse doctrines. All religions have two aspects that are theological beliefs related to one’s relationship with divine reality and sociological beliefs comprising of social behaviors dealing with human society. Former remain more or less absolute in their very nature while the later do change with the passage of time when religions go trans-regional. Problem, predominately, starts erupting when the sociological beliefs are subjugated by state to implement and propagate hidden agendas. These sociological beliefs then lay the bases of hatred, bigotry and misogyny. This is what has been done in land of the pure in the name of purifying religion by escalating a particular expression of religion to the stature of only-viable-interpretation-of-Islam. God has been portrayed as some Arabic speaking deity who is restricted to ethno-linguistic boundary which is clearly in contradiction of message of religion.
As the Qur’an says: “Another of His signs is the creation of the heavens and earth, and the diversity of your languages and color. There truly are signs in this for those who know” (30:22). There is also this famous verse: “O people, we created you from the same male and female, and rendered you distinct peoples and tribes, so that you may know one another.” (49:13)
As for elaborating further the above discussed phenomenon take the example of Madrassas in Pakistan. They are the social sites for the reproduction of Islamic orthodoxy. Hence, to say that the ideological orientation of madrassa education is conservative is to state the obvious. The madrassas in Muslim South Asia teach a curriculum known as Dars-i-Nizami, first introduced by Mullah Nizamuddin Sihalvi (d.1747) who was a scholar of some repute in Islamic jurisprudence and philosophy in Lucknow. But this was only during the last two decades of twentieth century when they became involve in militancy despite having the two hundred years apathetic history. The curriculum of Madrassas has been same for about 150 years which is most pacifist in nature. Its approach to Islam is ultra-conservative, literalist, legalist and sectarian, but definitely not revolutionary or militant. If this were the case the militant tendencies of Madrassas could have been observed during the most volatile events like partition, fall of Dhaka and Indo-Pak wars. What happened during the last two decades of twentieth century, a classic example of importing doctrine, is not-so-secret now and answers lie with the diplomats and Generals who were powerbrokers in Islamabad, Kabul, Riyadh and Langley, VA at that time.
Kamal Azfar, a Pakistani writer, states the dilemma in words:
“There are two concepts of Pakistan: the first empirical and the second utopian. The empirical concept is based on solid foundations of history and geography while the utopian concept is based on shifting sands. Utopia is not an oasis but a mirage… Samarqand and Bukhara and the splendors of the Arab world are closely related to us but we do not possess them. Our possessions are Moenjodaro and Sehwan Sharif, Taxila and Lahore, Multan and the Khyber. We should own up to all that is present here in the Indus Valley and cease to long for realities not our own for that is false-consciousness.”
To conclude, I will take liberty to speak for me and the third generation, I belong to too, who has the privilege to breathe in the airs of this still-not-so-pure-land and is much Pakistani now. I’m not going to mourn the Indus Valley civilization, but what is the substitute they offer me if it’s not desert? I refrain from whining about the bitter reality that I don’t have the clue of half of indigenous literature that has been written in Persian, but to say what do they have in the pipeline for me? I have nothing against whatsoever version of religion, but how would they justify the attacks on the shrines of my land? I’m all for endorsing their policies, but what is the vindication they have of myriads of dead bodies of my country-fellows? I’m ready to relinquish Khusrow, Ghalib, Bhittai, Bhulla, Rahman Baba and Gul Khan, but can they introduce me to the single one of this stature? I shall not question them, but will they care to tell me, ‘who am I’?

Eid films: revival or survival of cinema?


Karachis’ cinema houses are back in business. But for how long, that’s the question.
This Eid not just a big-budgeted, A-list Indian film but the release of two Pakistani Urdu films were also eagerly awaited: Syed Faisal Bukhari’s Bhai Loag and film star Reema’s second directorial venture Love Mein Ghum.
While it has to be said that cinema-goers did make an effort to watch the Pakistani movies, it was Reema’s film that drew lesser praise and audience. On the other hand, Bollywood’s Bodyguard, starring Salman Khan and Kareena Kapoor, made movie buffs queue up at ticket counters for hours at the new, well-equipped multiplexes as well as at old facilities such as Bambino cinema.
According to a rough estimate, Bodyguard, directed by Siddique, raked up Rs5 million from 21 cinemas of the country only on the first day (Aug 31) of its screening. (Don’t ask about what it has managed to accumulate worldwide.)
At Karachi’s Cineplex and Atrium Mall those who couldn’t get tickets for the Salman Khan movie were seen going for Bhai Loag and Love Mein Ghum as second and third options. Bodyguard, despite having a bit of a puerile storyline, was loved by the audiences for its slick action sequences and nice romantic moments between the two protagonists.
Unexpectedly, some say expectedly, Faisal Bukhari’s Bhai Loag, a different take on the local underworld scene, overshadowed Reema’s Love Mein Ghum business-wise. This also came as a surprise because the latter has its song sung by Indian play-back singers and has one Indian cast member, comedian Johnny Lever, working alongside Moammar Rana, Reema, Ali Saleem and Javed Sheikh. The general view of the public was that between the two Pakistani films, Faisal Bukhari’s was more worthy of being watched. Not that Love Mein Ghum could be dubbed a failure. The film too is doing reasonably well at the box office, not as much as its two competitors though.
“I’ve come to see Bhai Loag. I’ve heard it’s a good film,” said Jamil Ahmed, a middle-aged man, roaming around the ticket counter at Bambino cinema at least 90 minutes before the 3 o’clock show.
Bhai Loag’s popularity among the masses could also be gauged from the reaction of the rather taciturn gatekeeper at Bambino: “Bhai Loag acha chal raha hai” (Bhai Loagis doing well). Raja Shakil, who works on the same premises, claims that since Eid Faisal Bukhari’s movie has had at least four house-full shows, whereas Reema’s had a 90 per cent seats occupied at best.
“I think it’s good that Pakistani films are being released. I’m busy these days with my own theatre play Amn Ka Chhakka. Despite that I made it a point that I come and see a local film,” said Akhtar Shirani, a known Karachi stage artiste, talking to Dawn near the box office counter at Scala cinema.
Keeping with modern times, Nishat cinema is running the two Pakistani films at a time and reports are that it’s the saga of the underworld that has managed to pull in more people.
Sources told Dawn that some influential individuals tried their best to stop Bodyguardfrom being screened on the special day.
Only at the 11th hour it was allowed to be shown in Pakistan.
Apart from Indian and Pakistani movies, a couple of Hollywood films also premiered on Eid — Captain America: The First Avenger and Conan the Barbarian — and both are doing well, according to an official at Atrium Mall.