Thursday, August 27, 2009





Despite Pakistan’s reputation in the West as a politically and socially volatile nation, it has been fostering a vibrant yet low-profile contemporary art scene for the past two decades.
The Asia Society Museum in New York City is proud to present this work in the first major exhibition of contemporary Pakistani art in the United States.

Hanging Fire: Contemporary Art From Pakistan will explore the seeming contradiction of Pakistan’s flourishing art scene within the struggling nation.
Hanging Fire is curated for the Asia Society by the distinguished Salima Hashmi, one of Pakistan’s most important writers and curators, and the daughter of Pakistan’s most renowned poet, Faiz Ahmed Faiz.


The exhibition will showcase 55 works by 15 artists, comprising installation art, video, photography, painting and sculpture. A number of the works have never been exhibited, including a large-scale site-specific painting by Imran Qureshi.


On the inspiration for the show, Asia Society Museum Director, Dr. Melissa Chiu, comments:
“The idea for Hanging Fire came from a recognition that over the past decade, a new generation of artists in Pakistan have created compelling works that have largely gone unnoticed outside their country. The exhibition includes artists for whom the highly charged socio-political context in which they live and work is critical to understanding their art.”


The exhibition’s title, Hanging Fire, refers to an idiom that means “to delay decision.” In the context of the exhibition, the title invites the audience to delay judgment, particularly about contemporary society and artistic expression in Pakistan. It also alludes to the modern economic, social, and political tensions––both local and global––from which the featured artists find their creative inspiration.

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